Showing posts with label Art News. Show all posts
Showing posts with label Art News. Show all posts

Wednesday, March 24, 2021

Looking at art as an art show at Winkleman Gallery #class Organized by Jennifer Dalton and William Powhida


Conceptual artists refuse to create material art but instead an idea. But the core is absurd association. Less meaning more mind numbing exercises to grasp the concept. What I find revolutionary in interactive conceptual art that it engages more then mind exercise. I personally have significant experience in interactive conceptual art since 1999 when people discovered new way of communication, and then it was email. I happened to have someone who could do for me mass emailing targeting diverse groups of people. Suddenly I was pulled into the endless interaction with people who loved the idea of receiving an email from a person they were supposed to know. Then over 10 years ago email Spam wasn't anything like it is now. Thinking that they know the author of an art essay that maybe it has some personal meaning to them titled "Marble Lady oil painting by Jaisini", "Blue reincarnation/Narcissus o.p by Jaisini, etc. It was the hook.


I started to get most interesting feedback. It turned to be most unusual and enjoyable however premise of this action could be considered ultra conceptual, since there was no visual image presented but the essay that itself reads as a riddle. From my own venture I discovered how much "real people" from all walks of life are interested in art. Especially if they can interact with the writer/artist personally. Next point is about desirability of art. When the image was not presented the recipient of the essay that described a painting become so engaged that desire to SEE the artwork would be much greater then in any other circumstances when the same person can go to a museum and look at beautiful art. What I really love about Whinklman show to be so enthusiastic about it -- its atmosphere. The set up of a classroom gives anyone pleasant de ja vu. Aspiration and high of youth as oceanic breeze gives those precious negative ions that fight depression, promise pleasure, arouse carnality, altogether create this rare feeling of life celebration. That is why when Mira Schor was reading her essay on artist's failure, it didn't make an impression by definition of a lecture to the tired audience. In the gallery set up it was an artistic performance, the woman, her face, manners, her voice, her life experience, her expectation of fame, writing the book, talking to the people who supposed to not become greatest artists in the world felt like gathering of avant-garde group that rehersed a new play. That’s how I saw it and enjoyed it immensely. Live theatre (nor art happening) that wasn't planned to be theatre nor art happening. But art show to break grounds for it's own set purpose, becoming much much more in the eyes of the other party. There are the makers, the participants who won't go further then the frame of the show, but to me with certain acquired knowledge I see the show in most fascinating light that continues my own philosophical quest to understand how art is percieved by people, collectors, dealers and the art makers. Gallery tour more related to the concept of art desirability, I wish it was documented or could become a documentary about an art show when people just "happened to go with the flow." Similarly as when they happened to read the emailed essay and find themselves in the premise of beautiful/creation/art. They weren't planning for it, it was spontaneous, without slight tension that could be there when you come into the gallery expected to purchase some artwork. Pleasure to be with art is contagious. It affects anyone who can witness the process when this process is in fact ART. Ellen Yustas K. Gottlieb

Saturday, March 20, 2021

Rhythm of Line


diamondstyleposter Jaisini NAVY BLUE ART COLOR


Rhythm of Line
In Early period Jaisini has more meaning manipulation creating concept of visual line’s enclosure in unison with logical line.
Movement in the space and constructed thinking process together seem to come to a deceptive simplicity of continuous line.
In reality the artist works in complicated manner of multiple approaches that has multi personalities united in one through a fight.
Was line predetermined in her movement?
But it is technically immediate, imaginative, and not prepared.
In accordance to the artist’s own assumptions, his line matures in his mind for long period of time before he could release it on the canvas together with the painting’s unique plot.

Dimensions: 480 x 479 px
Uploaded: 11/14/2018 
Size: 17.7 MB 
Frames: 136
2,469,953 Views

The plot of the picture’s characters usually serves purpose of mixing the originality of beauty with simple decorative purpose of line interlacing and sometimes it brings images in most unexpected connections, mixing such themes as classical music with semi erotic depictions where aesthetic flare of creative fertilization is deeply connected to erotic display of mastery, a dialectical incentive of creation.
Mixtures of refine eroticism and ultimately conservative in appearance subject of classical musicians brings the theme to unexpected prominence.
In paintings subject is not ever explicit or hidden too deeply between the lines to be hypocritically implied, to the opposite the artist sets his ideas in perfect harmony.
Jaisini tends to perfect all angles of his creation to the level of condition with constant curiosity about his art.
If you had learned the meaning you would start to see more of its visual technique.
Then it could start to change the meaning.
The process of growing together with Jaisini’s artworks is unlimited.
Just when you thought that you have grasped the capricious creation it starts to run away from you again.
And this is exactly what Jaisini stage in his art, the game that never ends and develops into new game.
Music is a particularly relevant aspect of Jaisini’s inspiration as a part of the artist’s daily life.
The connection of art images and subjects is not straightforward but still in many ways is connected to music sensitivity.
The immediate execution of Show Must Go On with the soundtrack of a song gave an impulse to conceive a concept of creation and destruction in the unusual visual image.
The conjunction of self-destructive meaning of true creativity and moment of elation often turns dreadfully in artist’s personal situation.
Jaisini’s paintings reveal a general tendency observed in almost every component of style he uses, the self-conscious rhythm of line that could be just as expressive as musical rhythm.
Rhythm has importance applied to musical composition but not to cacophonic sounds.
Same with the line with meaningful rhythm applied to significant composition.
The rule of content in Jaisini’s art is not the final.
The artist creates content to make see the form and reduce content in a process.
Content could be associated with human attributes.
For Jaisini content is a tool to express in art evolution of mind returning to beginning when line was a primary definition of childishness and purity.
The overall process of formalization of this line takes many stages but is rewarding as never before.
A style is new in its complexity mastering graphical with visual, logical with emotional and communicative ability.
Jaisini uses dialogue as a conveyor of meaning through lines it contain as in theatrical performance but following artistic tendency to train the viewer’s eye to enjoy color, tone, plasticity of line, composition with development of all the elements of painting to the point of great significance to add complexity to the context, to highlight visual with textual and otherwise.
The created web of signification and intertextual references is even more complex then artist might think in beginning of his work.
With development of his style Jaisini had realized the further complexity to stage a painting as a play.
The idea in his pictures can’t be controlled but is in the middle of a meaning’s vortex some of which is external and allows endless interpretation as if it was musical.

Sunday, February 14, 2021

Stelly Richie, Summer Diary Black And White Bugs Love series



I thought I should post one of my more controversial pieces (LOL) I remember watching insect porn as a kid on the discovery channel or some nature program and it left a deep impression on me because it got me wondering: so what makes us more superior to them, aside from size? If we have so much in common with even the tiniest insects and organisms, we are far more primitive than we give ourselves credit for; we do the same things flies do -- something about that thought drove me nuts as a kid... But actually we know nothing about how other creatures see the world, even with all our scientific equipment. They could be 1000 times smarter than us and process the world through numerical algorithms or highly complex visual abilities that would cause our own brains to explode. They're not hard-wired to do things as we believe; they just know exactly what needs to be done and are therefore far superior to us ;