Frank STELLA "Labyrinth"

Frank STELLA "Labyrinth", a photo by gleitzeit2012 on Flickr.

Blue Reincarnation Narcissus by Jaisini

Blue Reincarnation Narcissus by Jaisini The theme of Narcissus in Jaisini's "Blue..." may be paralleled with the problem of the two-sexes-in-one, unable to reproduce and, therefore, destined to the Narcissus-like end. Meanwhile, the Narcissus legend lasts. In the myth of Narcissus a youth gazes into the pool. As the story goes, Narcissus came to the spring or the pool and when his form was seen by him in the water, he drowned among the water-nymphs because he desired to make love to his own image. Maybe the new Narcissus, as in "Blue Reincarnation," is destined to survive by simply changing his role from a passive man to an aggressive woman and so on. To this can be added that, eventually, a man creates a woman whom he loves out of himself or a woman creates a man and loves her own image but in the male form. The theme of narcissism recreates the 'lost object of desire.' "Blue" also raises the problem of conflating ideal actual and the issue of the feminine manhood and masculine femininity. There is another story about Narcissus' fall which said that he had a twin sister and they were exactly alike in appearance. Narcissus fell in love with his sister and, when the girl died, would go to the spring finding some relief for his love in imagining that he saw not his own reflection but the likeness of his sister. "Blue" creates a remarkable and complex psychopathology of the lost, the desired, and the imagined. Instead of the self, Narcissus loves and becomes a heterogeneous sublimation of the self. Unlike the Roman paintings of Narcissus which show him alone with his reflection by the pool, the key dynamic in Jaisini's "Blue" is the circulation of the legend that does not end and is reincarnated in transformation when autoeroticism is not permanent and is not single by definition. In "Blue," we risk being lost in the double reflection of a mirror and never being able to define on which side of the mirror Narcissus is. The picture's color is not a true color of spring water. This kind of color is a perception of a deep seated human belief in the concept of eternity, the rich saturated cobalt blue. The ultrahot, hyperreal red color of the figure of Narcissus is not supposed to be balanced in the milieu of the radical blue. Jaisini realizes the harmony in the most exotic color combination. While looking at "Blue," we can recall the spectacular color of night sky deranged by a vision of some fierce fire ball. The disturbance of colors create some powerful and awe-inspiring beauty. In the picture's background, we find the animals' silhouettes which could be a memory reflection or dream fragments. In the story, Narcissus has been hunting - an activity that was itself a figure for sexual desire in antiquity. Captivated by his own beauty, the hunter sheds a radiance that, one presumes, reflects to haunt and foster his desire. The flaming color of the picture's Narcissus alludes to the erotic implications of the story and its unresolved problem of the one who desires himself and is trapped in the erotic delirium. The concept can be applied to an ontological difference between the artist's imitations and their objects. In effect, Jaisini's Narcissus could epitomize artistic aspiration to control levels of reality and imagination, to align the competition of art and life, of image with imaginable prototype. Jaisini's "Blue" is a unique work that adjoins reflection to reality without any instrumentality. "Blue" is a single composition that depicts the reality and its immediate reflection. Jaisini builds the dynamics of desire between Narcissus and his reflection-of-the-opposite by giving him the signs of both sexes, but not for the purpose of creating a hermaphrodite. The case of multiple deceptions in "Blue" seems to be vital to the cycle of desire. Somehow it reminds one of the fate of the artists and their desperate attempts to evoke and invent the nonexistent. "Blue" is a completely alien picture to Jaisini's "Reincarnation" series. The pictures of this series are painted on a plain ground of canvas that produces the effect of free space filled with air. "Blue," to the contrary, is reminiscencent of an underwater lack of air; the symbolism of this picture's texture and color contributes to the mirage of reincarnation. "Blue Reincarnation" (Oil painting) by Paul Jaisini New York 2002, Text Copyright: Yustas Kotz-Gottlieb ALL RIGHTS RESERVED Send private comments to author

Kuchiku's Kawailight Zone: Bottoms up for Paul Jaisini - The Sexy Sparkle!

Kuchiku's Kawailight Zone: Bottoms up for Paul Jaisini - The Sexy Sparkle!

Vocation on Mars

alien art gif original image with added glitter frame

Rainbow running away from JAISINI

Profound in Julie Schenkelberg's Bad Blood

The life circle is VARIABLE going by an unknown pattern, no longer predictable,
defined or foreseen.
Steps taken -- forgotten.
The present moment dissipates in the past.
Past -- future. New -- old.
Beginning -- end.

the art show to remember, Julie Schenkelberg Bad Blood @ Asya Geisberg

The exhibition explores themes of
memory,  the past, the future, the fleeting present.
I see the earnest longing to bring visual art to it's pure state by Julie's use of classically artistic materials. I see that painting is reinvented yet again.

Looking at art as an art show at Winkleman Gallery #class Organized by Jennifer Dalton and William Powhida

Conceptual artists refuse to create material art but instead an idea. But the core is absurd association. Less meaning more mind numbing exercises to grasp the concept. What I find revolutionary in interactive conceptual art that it engages more then mind exercise. I personally have significant experience in interactive conceptual art since 1999 when people discovered new way of communication, and then it was email. I happened to have someone who could do for me mass emailing targeting diverse groups of people. Suddenly I was pulled into the endless interaction with people who loved the idea of receiving an email from a person they were supposed to know. Then over 10 years ago email Spam wasn't anything like it is now. Thinking that they know the author of an art essay that maybe it has some personal meaning to them titled "Marble Lady oil painting by Jaisini", "Blue reincarnation/Narcissus o.p by Jaisini, etc. It was the hook.

I started to get most interesting feedback. It turned to be most unusual and enjoyable however premise of this action could be considered ultra conceptual, since there was no visual image presented but the essay that itself reads as a riddle. From my own venture I discovered how much "real people" from all walks of life are interested in art. Especially if they can interact with the writer/artist personally. Next point is about desirability of art. When the image was not presented the recipient of the essay that described a painting become so engaged that desire to SEE the artwork would be much greater then in any other circumstances when the same person can go to a museum and look at beautiful art. What I really love about Whinklman show to be so enthusiastic about it -- its atmosphere. The set up of a classroom gives anyone pleasant de ja vu. Aspiration and high of youth as oceanic breeze gives those precious negative ions that fight depression, promise pleasure, arouse carnality, altogether create this rare feeling of life celebration. That is why when Mira Schor was reading her essay on artist's failure, it didn't make an impression by definition of a lecture to the tired audience. In the gallery set up it was an artistic performance, the woman, her face, manners, her voice, her life experience, her expectation of fame, writing the book, talking to the people who supposed to not become greatest artists in the world felt like gathering of avant-garde group that rehersed a new play. That’s how I saw it and enjoyed it immensely. Live theatre (nor art happening) that wasn't planned to be theatre nor art happening. But art show to break grounds for it's own set purpose, becoming much much more in the eyes of the other party. There are the makers, the participants who won't go further then the frame of the show, but to me with certain acquired knowledge I see the show in most fascinating light that continues my own philosophical quest to understand how art is percieved by people, collectors, dealers and the art makers. Gallery tour more related to the concept of art desirability, I wish it was documented or could become a documentary about an art show when people just "happened to go with the flow." Similarly as when they happened to read the emailed essay and find themselves in the premise of beautiful/creation/art. They weren't planning for it, it was spontaneous, without slight tension that could be there when you come into the gallery expected to purchase some artwork. Pleasure to be with art is contagious. It affects anyone who can witness the process when this process is in fact ART. Ellen Yustas K. Gottlieb

Do I Like This Artwork? Nyc Jaisini 3d cube creation gif rotating 34 mg

PAUL JAISINI SAID:
Most contemporary "Smart-Alecky artists" ,whose birth defect possess genetic instinct to climb on top, are not the real danger for the True Fine Art.

The real danger is "Money Bags" , who looking for  the genetic chain between "Next... great investment"...

Toba KHEDOORI "Untitled", a photo by gleitzeit2012 on Flickr.

David Zwirner
Toba KHEDOORI
"Untitled"
2012
oil on linen
36 x 24 inches 

Do I Like This Artwork?

!! searching for the beginning !!

the eye

paint drips art swirl gif version of the original artwork

pink silk glamour gif stages of art gif

I noticed that the invisible paintings started to create the visible paintings that were not my creation. Paul Jaisini

Midnight Blue, Most Amazing Color, sparkles, glows, magical, summer diary, series,

Midnight blue from Paul Jaisini

amazing pastel pink texture glowing hologram gif Wallgirl

Iwasasked from Stelly Riesling-Katzenelnbogen

Dot Matrix Gif Effect Face

Federico Solmi

The Armory Show by Ellen Yustas K Gottlieb

Armory Show Contemporary 2011 3/2/2011

By Ellen Yustas K. Gottlieb · 27 of 175 Tag This PhotoDone Tagging

 In this photo: , bloody fooking mary (remove tag), Elisa Pritzker (photos

remove tag), Ellen Yustas K. Gottlieb (photos

remove tag)

Federico Solmi

.March 3 ·

You, John Daly, Paul Jaisini, Roman Aaron and 10 others like this..

Stella Tittany Richardson admiring those choppers huh... i feel you homie

March 3 at 2:31am · UnlikeLike · 1 personLoading....Gary Tatintsian grrrrrrrrrrrrrrr lol))))) horror

March 3 at 1:27pm · UnlikeLike · 2 peopleLoading....Ellen Yustas K. Gottlieb it's a video, could be horror

March 3 at 3:00pm · LikeUnlike · 2 peopleLoading....Gary Tatintsian FRED ?

March 3 at 3:04pm · LikeUnlike.Ellen Yustas K. Gottlieb candy man?

March 3 at 9:50pm · LikeUnlike.Laurence Miller boggie man

Friday at 1:14am · LikeUnlike.Ellen Yustas K. Gottlieb ‎13th ghost

Friday at 7:54am · LikeUnlike.Elisa Pritzker Red man.

Friday at 7:54am · UnlikeLike · 1 personLoading....Stella Tittany Richardson omg bloody fooking mary!!! eeeeekkkk!!

Saturday at 3:37am · UnlikeLike · 2 peopleLoading....Roman Aaron Stella, you're such a baby, love you

 

for \You, Roman Aaron, Laurence Miller, Janice Tieken and 3 others like this..

Andrea Pollan This had to be at my friend Leigh Conner's booth....

Friday at 5:53pm · LikeUnlike · 1 personLoading....Roman Aaron cool, don't miss it! Love your pics, Ellen.

Saturday at 4:13pm · LikeUnlike.Ellen Yustas K. Gottlieb all chancie, i didn't try to catch it.

Stella Tittany Richardson i remember being so terrified of bloody mary as a kid...still am...

Saturday at 3:39am · UnlikeLike · 2 peopleLoading....Roman Aaron not to worry, i protect you, my baby! :X

 

March 3 ·UnlikeLike · You, Steven Milsap, Paul Jaisini, Roman Aaron and 6 others like this..

Laurence Miller frame is a little over the top

Friday at 1:13am · LikeUnlike · 1 personLoading....Ellen Yustas K. Gottlieb you are not the first to notice it.

Friday at 7:52am · LikeUnlike.Caridad Kolb I saw these... somewhere. Was it Miami?

Friday at 9:53am · LikeUnlike.Andrea Pollan Yes. Miami. At Conner Contemporary's booth. She's showing the latest body of his work. Douchebag interviewed by Oprah.

Friday at 5:55pm · LikeUnlike.Caridad Kolb ‎"Douchebag?" Details, please.

Friday at 7:48pm · LikeUnlike.Roman Aaron framing is ok

Saturday at 4:27pm · LikeUnlike.Paul Jaisini a tiara would make more sense to me then full frame.

Yesterday at 3:09am · LikeUnlike.Ellen Yustas K. Gottlieb hommage to dying television

Stelly Riesling glitch gif portrait with accents in psychedelic boho style

“The hardest thing of all is to find a black cat in a dark room, especially if there is no cat.” …

neon pastel color glow

   Julie Schenkelberg Streetcar, Detail, 2010 Wood, drywall, sprayfoam, paper, silverware, paint 105" x 125" x 65"

There's a sense of certain degree of violence, distraction. Is this how Julie Schenkelberg sees the world or  is it pretentious?  If sincere, then why portrayed grotesque? Memory is flawless, dream-like. We are left      with no answers, no conclusions in a way frustrated. There's a suggestion of step forward, the world seen as interesting, inspiring, disturbing, grotesque or moving.

                                          

                                          I wouldn't see that this show presented memories from

                                          the far past. At first glance the signifiers

                                          seem mundane, from the daily life. Every composition

                                          left me wanting more information but, of course, 

                                          there's no information on why the artist creates in a

                                          chosen style or media.

                                           

Art 43 Basel: Art Unlimited

Art 43 Basel: Art Unlimited, a photo by gleitzeit2012 on Flickr.

SMOKING!