Friday, March 5, 2021
Thursday, March 4, 2021
Wednesday, March 3, 2021
Tuesday, March 2, 2021
Monday, March 1, 2021
Dot Matrix Gif Effect Face
Federico Solmi
The Armory Show by Ellen Yustas K Gottlieb
Armory Show Contemporary 2011 3/2/2011
By Ellen Yustas K. Gottlieb · 27 of 175 Tag This PhotoDone Tagging
In this photo: , bloody fooking mary (remove tag), Elisa Pritzker (photos
remove tag), Ellen Yustas K. Gottlieb (photos
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Federico Solmi
.March 3 ·
You, John Daly, Paul Jaisini, Roman Aaron and 10 others like this..
Stella Tittany Richardson admiring those choppers huh... i feel you homie
March 3 at 2:31am · UnlikeLike · 1 personLoading....Gary Tatintsian grrrrrrrrrrrrrrr lol))))) horror
March 3 at 1:27pm · UnlikeLike · 2 peopleLoading....Ellen Yustas K. Gottlieb it's a video, could be horror
March 3 at 3:00pm · LikeUnlike · 2 peopleLoading....Gary Tatintsian FRED ?
March 3 at 3:04pm · LikeUnlike.Ellen Yustas K. Gottlieb candy man?
March 3 at 9:50pm · LikeUnlike.Laurence Miller boggie man
Friday at 1:14am · LikeUnlike.Ellen Yustas K. Gottlieb 13th ghost
Friday at 7:54am · LikeUnlike.Elisa Pritzker Red man.
Friday at 7:54am · UnlikeLike · 1 personLoading....Stella Tittany Richardson omg bloody fooking mary!!! eeeeekkkk!!
Saturday at 3:37am · UnlikeLike · 2 peopleLoading....Roman Aaron Stella, you're such a baby, love you
for \You, Roman Aaron, Laurence Miller, Janice Tieken and 3 others like this..
Andrea Pollan This had to be at my friend Leigh Conner's booth....
Friday at 5:53pm · LikeUnlike · 1 personLoading....Roman Aaron cool, don't miss it! Love your pics, Ellen.
Saturday at 4:13pm · LikeUnlike.Ellen Yustas K. Gottlieb all chancie, i didn't try to catch it.
Stella Tittany Richardson i remember being so terrified of bloody mary as a kid...still am...
Saturday at 3:39am · UnlikeLike · 2 peopleLoading....Roman Aaron not to worry, i protect you, my baby! :X
March 3 ·UnlikeLike · You, Steven Milsap, Paul Jaisini, Roman Aaron and 6 others like this..
Laurence Miller frame is a little over the top
Friday at 1:13am · LikeUnlike · 1 personLoading....Ellen Yustas K. Gottlieb you are not the first to notice it.
Friday at 7:52am · LikeUnlike.Caridad Kolb I saw these... somewhere. Was it Miami?
Friday at 9:53am · LikeUnlike.Andrea Pollan Yes. Miami. At Conner Contemporary's booth. She's showing the latest body of his work. Douchebag interviewed by Oprah.
Friday at 5:55pm · LikeUnlike.Caridad Kolb "Douchebag?" Details, please.
Friday at 7:48pm · LikeUnlike.Roman Aaron framing is ok
Saturday at 4:27pm · LikeUnlike.Paul Jaisini a tiara would make more sense to me then full frame.
Yesterday at 3:09am · LikeUnlike.Ellen Yustas K. Gottlieb hommage to dying television
Sunday, February 28, 2021
ICARUS
One would wonder what would the new level of “realism” add to the process of “seeing”
An entirely different matter would be how the exact copy of reality could benefit a human image and what sort of image would be fit to be “worthy” of such exact real copy on paper or video. (obviously even 3-d copy which is not very essential to the question) In such copy with most advanced process who would look good. For instance over decoration… for such occasion one would think that since the “copy of reality” shows every microscopic detail, than the more decorative details there would be to record the better… So if the reality record
Internet is now called WORK. People “working” and believe in it very strongly. since their work involves RESEARCH and digging in deep waters of “knowledge” wanting to acquire full and complete information on their research topic. The need for full and complete information is really overpowering that is why doing it feels like WORK. Those who had been there understand how bad it is. The Style researchers want to find the precious INTERNET worthy “art”.
People get trapped on the internet without “a warning” that internet would serve you right if you use it for REAL WORK - it is priceless for the amount of info one gets for instance I found all matches on the current topic of INVISIBLE and invisibility. If it wasn’t for the internet I wouldn’t be writing this now as I wouldn’t know about the wide spread phenomena and popularity, but the “discovery” made me realize the connection of social phenomena to visual art that is important when nothing in visual art really connect to the vast unknown dimension of “real people” Again if it wasn’t for the sources available on the www where people supply and share info I wouldn’t be able to put together Invisible art of Paul Jaisini that arrived on the www in 1998 and the current state of human condition.
Once something suits your taste you don’t feel any reservation about sharing it or just using as your “own” photo or idea. But the idea spreads and if you find ton of matches with variations of how your subject for instance Invisibility is in active use you can deliver really well-grounded analysis and know more than anyone on the topic.
GLEITZEIT ESSAY, Giuseppe Arcimboldo Hieronymus Bosch a la mode Giuseppe Arcimboldo, a la mode Hieronymus Bosch, a la mode Paul Jaisini, a la mode Gleitzeit,
Das Ich und das Es
Oil on Linen
Plywood support
W x H (“) 36 x 36
Das Ich und das Es series
This work is painted in expressionistic gestural
technique. Brush strokes interweave colors with lines creating many obscure
figures. Gradually images appear to surprise with discoveries. The flowing
contours foster fantasy, in which the content of the work melts away, seems to
be modulated to subtle stirrings of the artist’s vision. Among seven images
there is a man brandishing a knife. This image might signify a subconscious
liberation that is found at the origins of art where a violent struggle asserts
an idea of ideally free self once it has to engage with the world around it
(Laocoon), and a conflict becomes condition of existence.
The life on an artist is much like a moment of fact and
fiction.
Das Ich und das Es (The Id and the Ego) might be inspired
by the artist’s interest in a condition between reality and fantasy, a result
of creative process that is much like a lucid controlled daydreaming.
The painting traps an eye by entangled lines; speedy
brushwork, overlapping silhouettes, and brisk exhilarating color developments.
Knowing that the picture is a flat surface, somewhat
abstract, the viewer could feel a powerful effect in “Das Ich und das Es” of
breaking away from two-dimensional surface and almost a hallucinatory after
effect. It happens because our sight through rapid observation discovers and
takes not one thing at a time but infinity of forms, colors, and movements. It
happens of course because the artist at a starting point of his work could
foresee all-at-once and was able to bring the vision to existence on a canvas.
You will not contemplate this painting on same level in
time.
It is more like listening to music through a pair of
stereo headphones. Everyone knows and heard sound as if it emanated from a
point directly above the head.
This occurs even though the listener knows that sound from
each speaker is entering ear on the head’s opposite side.
Contemplating this painting is like a hearing process when
each of our ears listens to the same sounds; however each takes in auditory
information from a different point in space. Again this distance between our
ears, though small, is enough to create a third dimension of sound that we
perceive as depth.
Same way a new dimension could appear in the work called
Das Ich und das Es when the eyes are trapped by entangled lines, speedy
brushwork and mysteriously developing silhouettes of picture’s not yet analyzed
intrigue.
Apart from Reincarnation series Jaisini painted other
works that are inspired by his interest in Eastern philosophy.
Das Ich und das Es painting had alternative title while in
a process of creation that was “Dream or Real”.
Perhaps the original inspiration derived from a
philosophical proverb Jaisini applied to his artistic vision, “I do not know
whether I was then a man dreaming I was a butterfly, or whether I am now a
butterfly dreaming I am a man” of Chuang Tse 369-286 BC.
The condition between reality and dream of someone who
strongly holds on to reality who cannot relax even while sleeping is reflected
by personal creativity. For Jaisini reality is mixed with fantasy, as a result
of being creative artist whose work is much like a daydreaming.
Das Ich und das Es painting slides between phenomenology
of line fluidity with a level of Pirandellian deconstruction-reconstruction
concept.
The moment of fact and fiction, dream and undream.
DIundE
Saturday, February 27, 2021
Friday, February 26, 2021
The highlights of my gallery walk on September 12, 2013
Location: PACE Gallery (510 West 25th Street)
Dates: 12 September - 26 October 2013
Opening reception: Thursday, 12 September 2013 — with Irving Penn at PACE Gallery (510 West 25th Street).
I title it "to SWALLOW or not to SWALLOW"
Thursday, February 25, 2021
Wednesday, February 24, 2021
Julie Schenkelberg's new art form.
You Will Like What I See
Paul Jaisini GIF By Re Modernist
Dimensions: 480 x 480 px
Uploaded: 10/14/2014
Size: 509 KB
Frames: 15
308,461 Views
New in its very core of not being what is expected of an art work, a finalized thought, an outlook on what art is concerned with. This time art presented us with a form of questioning the fluidity of event (scenic art, temporary, movable, to be incorporated into next play, reused.) The means of scenic artist added new dimension to the white cube space in most ambiguous way. Inviting interactivity without even hinting that this is not just the installation of artworks. This is actually art that pushes limits of a matter dealing with an object's solidity and finality.
Tuesday, February 23, 2021
neon pastel color glow
Julie Schenkelberg Streetcar, Detail, 2010 Wood, drywall, sprayfoam, paper, silverware, paint 105" x 125" x 65"
There's a sense of certain degree of violence, distraction. Is this how Julie Schenkelberg sees the world or is it pretentious? If sincere, then why portrayed grotesque? Memory is flawless, dream-like. We are left with no answers, no conclusions in a way frustrated. There's a suggestion of step forward, the world seen as interesting, inspiring, disturbing, grotesque or moving.
I wouldn't see that this show presented memories from
the far past. At first glance the signifiers
seem mundane, from the daily life. Every composition
left me wanting more information but, of course,
there's no information on why the artist creates in a
chosen style or media.
Monday, February 22, 2021
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